Hello, everyone :)
Today I'm being spoiled - TWO lovely bloggers are having me over for a guest post!
Naught Boys in the Backseat is hosting my considerations about my love for non-traditional happy endings. As a writer, I'm particularly fond of them, and here I try to analyse why.
Bittersweet endings: 'it's complicated'
Bittersweet endings: love them or hate them, they never fail to stir up a reaction. As for me – both as a reader and as an author – if I had to Facebook my relationship with bittersweet endings, I’d pick ‘it’s complicated’.
I tell myself I don’t really like them, that what I want for the characters is a full-blown, shiny, unicorns-and-rainbows-dipped-in-glitter happy ending to put all happy endings to shame. They deserve it, after all: I’ve come to love the characters, I’ve followed them in their ups and downs and after all they’ve been through, they deserve peace and happiness. They do. And yet, as the ending approaches, I find myself eyeing them furtively as a little, guilty part of me considers that it would be… too easy. Now, when I’m a reader, all I can do is lay back, keep reading and be quiet. But when I’m the author… my characters better start worrying, ‘cause I see a bad moon a-rising in their near future...
Read the rest of the post HERE.
Lou Sylvre's is utterly spoiling me, sharing an excerpt from my bittersweet story Apples and Regrets and Wasted Time HERE and a 18+ exerpt from my novella The Mercenary HERE.
She also interviewed me about my latest release, Apples and Regrets and Wasted Time, my use of language and my future projects ♥.
Q: I know of several short stories (in addition to Apples and Regret) that you’ve had published. If readers look at several of your stories, will they find a common thread, or theme? How do your stories come in to being—do you create characters and the story grows up around them, or do you start with a plot and invent characters as they’re needed? (Or some other mixture?)
A: I noticed there’s definitely a common theme. My stories are mostly set in alternative realities, worlds that are either urban fantasy, post-apocalyptic, steampunk… or just plain weird :). And often these worlds’ societies are flawed, deeply unfair, crushed under some oppressive power. The stories revolve around the underdogs, random and unconventional, who strive to fight against this oppression, even if in small ways. Another common element in my stories is that the protagonist is originally on the side of the oppressors, or at the very least completely uninvolved in the events, and his perspective changes completely when he gets to know the underdogs. This is a storyline that comes to me naturally, and even though I’ve used it more than a few times, it’s still my favorite.
I’m also usually a plot person. I tend to think up an ending, the more climatic and explosive the better, then a beginning (in this order!) and then I plan out the intricacies that come in between. By the time I start actually writing, the skeleton of the story is ready, complete with a fairly accurate bullet point list of the scenes. I like to have the full movie, complete with sound and fancy special effects!, all flowing in my head before I start putting it down on paper.
The characters sort of come naturally as the plot flows. Often I don’t know much about their back-story – heck, sometimes I don’t even know their names! – as if I was stumbling across two strangers at the beginning of the story and just stalked them around to see what they’ll do. I think that sums up rather nicely how the whole process works for me, actually – the story’s unfolding almost by itself and all I have to do is keep lurking and be quick to take notes.
Read the rest of the interview HERE.